Very much love...

Today - October 14th - I deactivated my X/Twitter account for Voyageuse. It's exactly 11 years ago on this day I decided to make the film, after receiving a cursory two-line rejection email from Creative Scotland - a long and sorry story - I was and am ineligible for Screen Scotland funding - apparently I don't meet their criteria. It was the first and only time I submitted an application. When I asked for feedback as to why my project was rejected, their response: "we have other, higher priority projects" was a perfect summation of what I already knew.

That I made the film with zero funding remains an achievement. By summoning my inner Imp - I was an Imp in the Brownies long ago - I spent three years writing, designing, shooting, editing, grading and creating a sound design by applying what Robert Bresson described as "he who can work with the minimum can work with the most." It's a mantra I live by. My next three planned projects - God willing - will adopt the same model, if more nuanced and refined - using CGI, live action and life's little accidents, the serendipitous events that occur in real life that can change the course of a story, of a life.

~ continue...

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To the Light House...

I've just returned from Dublin after a wonderful and well-received screening of Voyageuse at the Light House cinema, thanks to the Glasgow Film Festival, the Dublin Film Festival and the Scottish Government office in Ireland. It was also great to spend time with Douglas King and Darren Osborne, the director and actor/production designer of Super November, a film that also screened at the GFF earlier this year which I'm looking forward to when it plays in Glasgow – when else – this November.

What our two films share in common is they're both self-funded, made on what the industry calls a micro-budget. Both films have proved popular with audiences too. That we received the warmest of welcomes in Dublin couldn't be more of a contrast to how overlooked we are at home.

~ continue...

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