It’s September. Summer in Glasgow has been a mix of short-lived sun, biblical rain and broiling skies. Elsewhere the climate in southern Europe and the aptly named Furnace Creek in Death Valley, California have endured temperatures up to 55 degrees Celsius – 131 degrees Fahrenheit. On social media, tourists to Furnace Creek post selfies standing beside a large thermometer as if it’s some kind of trophy, incognisant of the world’s highest recorded temperatures. That asteroid can’t come soon enough.

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In 2018, over the course of a year I made several trips to a derelict shopping precinct in Shawlands, Glasgow; the Shawbridge Arcade. Among the last units operating when I arrived were the city council’s housing offices, a branch of William Hill Bookmakers and a motorcycle workshop. Here were signs of previous shops and businesses: Character’s Lounge Bar, a kebab shop and the New Wine church, long since shuttered and abandoned. The Arcade, late-Brutalist in design, featured a car park on its upper level that overlooked an open courtyard from where a concrete staircase led to ground level with seating areas and planters. On the main façade was a sign, Shopping Precinct. Or rather, S opping  recin t.  

While shooting Tilo in Real Life, virtually every location I’ve used has since been demolished. Some have even re-built on to become new places. The disappearance, not only of buildings, but entire streets and areas of my native city, caused a deep-rooted anxiety I’ve carried my whole life. The loss of physical surroundings and what it meant was unexplained to me as a child and, as if living through war, the destruction of my home, street and district was an ever-imminent threat.

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